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1963 Winter.” The activities usually highlight a simple day-to-day activity. Pulse Piece, for example, suggests, “Listen to each other’s pulse by putting your ear on the other’s stomach. “Ono’s event scores were intended to replace a physical work of art with written instructions or suggestions for acts that the person experiencing them could create. Arcand, Amber Motors, 2009 Image: YOKO ONO, Grapefruit, 1964 Conversation Piece, an event score from Grapefruit, 1964. The syllabics are what enunciate they potentiate a performance of world-making that does not belong to the mise-en-scene of settlement.” That is, Arcand rendered these photographs with a pink hue and a thick, round border, tapping into what she calls “the signifiers of nostalgia.” Importantly, these signifiers are inextricably bound to the charisma of words, to the emotional life of the syllabics. She asks us to orient ourselves to the world as if we were out to document or to think back on a future past. Rather, Arcand straddles the threshold of radical hope. Hers is not a utopian elsewhere we need to map out via an ethos of discovery. Arcand wanted to see things “where they weren’t.” By doing this, Arcand images something of a present beside itself and therefore loops us into a new mode of perception, one that enables us to attune to the rogue possibilities bubbling up in the thick ordinariness of everyday life. Arcand wants us to think about these photographs as documents of “an alternative present,” of a future that is within arm’s reach.įor this series, Arcand manipulated signs and replaced their slogans and names with Cree syllabics. In a phone interview, Arcand explained to me that this is where her photo-based practice and her interest in textuality synched.

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Here on Future Earth is a series of photographs that Arcand produced in 2010. Words are emotional architectures, and Arcand calls hers “Future Earth.” Arcand is a photo-based artist and industrial sculptor from Muskeg Lake Cree Nation, and she knows that words, that letter forms, shapes and glyphs, “change the visual landscape,” that they are how we go about practicing new ways of looking. Arcand, Northern Pawn, South Vietnam, 2009 “ Joi T. Because you only need to click the mouse to use it immediately, and they all support you to customize it 100%.Joi T.

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