#The twilight zone eye of the beholder how to
#The twilight zone eye of the beholder series

“You could have done it all with inserts, but that would have made the audience suspicious,” explained director Heyes in an interview with Ben Herndon.

#The twilight zone eye of the beholder how to

The problem of how to avoid the faces of the doctors and nurses without making it too obvious with the viewers that a secret was being kept from them proved a challenge. As Smith assures her, “Beauty is in the eye of the beholder.” Hoping for a future life with people of her own kind, she chooses to go with him. He assures her that she will feel comfortable at her new home and will be loved. Smith, a representative from the village, who offers her a hand of friendship.

Almost as if a hand were guiding her, she runs into Mr. Janet Tyler, frightened, attempts to flee. The lights go on to reveal the truth – she is beautiful – it is the doctors who are the monsters. Slowly they work until the last of the bandages is removed and to their horror, there has been no improvement.

While the leader of the State speaks “live” on television about “conformity” and a “single morality,” the surgeons spend their time cutting away the bandages from Janet Tyler’s head. Eleven is the mandatory number of “experiments” and if this latest surgery fails, the doctors will be forced to give her an ultimatum – banishment or extinction. The State does not allow horribly disfigured people with her bone structure and flesh type to exist in society – banishing them to a village where undesirables are segregated. She has finished her 11th surgery and while the doctors and surgeons remain hopeful, her condition remains a concern. If you enjoyed this post, please enter your email address in the subscription box to stay tuned for more updates.The story concerned Janet Tyler who has gotten used to having bandages wrapped around her face for most of her life. Also commendable is Janet’s reveal in the final sequence, which, though somewhat predictable in retrospect, demonstrates a meticulous attention to detail that will appeal to both casual viewers and diehard Serling fans. The quintessential episode of The Twilight Zone, “Eye of the Beholder” suggests that the value of a human being can never be assessed by superficial measures alone. Note that in spite of her “grotesque” appearance, Janet fervently desires to be a productive member of society even at the expense of her own dignity-a sad testament to the fact that many governments would rather exile, incarcerate, or exterminate outcasts than allow such individuals to fulfill their God-given potential. prisons, mental wards, segregated neighborhoods, etc.) so as to avoid interfering with the lives of so-called ordinary people. “Eye of the Beholder” contains a poignant commentary on the cruel, ineffective methods utilized by the state when dealing with “undesirables” who, having been arbitrarily classified as such, are often relocated to artificially erected communities (e.g.

#The twilight zone eye of the beholder series

Especially worth praising, the voice and mannerisms of Maxine Stuart convey the emotional anguish that one would expect a lifetime of rejection to elicit-an aspect that makes credible a fantastic, if not immediately obvious, fictional reality.Ī series of obscuring camera angles are initially employed in order to conceal the true nature of Rod Serling’s dystopian society and the “normal” citizens that compose it, thereby encompassing Janet Tyler and her caretakers with an intriguing layer of mystery-an outcome that, when coupled with Janet’s claustrophobic, suffocating reaction to the bandages that imprison her, generates a compelling air of suspense prior the unforgettable twist ending for which “Eye of the Beholder” is so iconic. “Eye of the Beholder” creates a nightmarish world from the limited surroundings in which it takes place. If unaffected by treatment, Janet will be forcibly moved to a colony consisting of those with deformities similar to her own. Gordon, Jennifer Howard, George Keymas, Joanna Heyes, Edson Stroll, and Donna Douglasĭisfigured patient Janet Tyler (Maxine Stuart and Donna Douglas) eagerly awaits the outcome of her eleventh medical procedure, the mandatory number designated by the state.